Olympic Pictograms Through the Ages

I love this cartoon that The New York Times’s Steven Heller did, “Olympic Pictograms Through the Ages”.

See also David Ross discussing homoerotic imagery in Olympic posters on The Colbert Report.

Covering Lolita

(Metafilter’s article on this link says a lot and is nicely researched, and I’d prefer not to summarize, so forgive me for just quoting the post here.)

As Dieter Zimmers online exhibit “Covering Lolita” shows, it started with a plain green jacket.

Cover art for Vladimir Nabokov’s controversial work Lolita then falls into two primary categories: non-representational or abstract, and titillating sexual imagery (here, and others), including now-familiar enduring film images.

This presentation of Nabokov’s work, and the implication of Lolita-as-temptress, incurred the ire of architect, photographer and blogger John Bertram. Bertram issued a challenge for a redesign of covers for Lolita. The entries are in, and a winner of the $350 first prize has been chosen. In reviewing the results and talking about the judging process, Bertram explained that he received but avoided the “lingerie, lollipops, roses, hearts, lipstick prints, butterflies, heart shaped sunglasses, and overtly sexual poses” that have become culturally linked with our conception of this book. Winner Lyuba Haleva, a freelance graphic designer from Bulgaria, has explained her inspiration.

Tarantino quotes, borrows from or pays homage to so many different films that the Academy could hardly list who he has “adapted.” That said, his screenplay is an original, not least with the Tarantinian dialogue. It draws inspiration from earlier works, but sets out anew.
Roger Ebert, on why Quentin Tarantino was nominated for Best Original Screenplay and not Best Adapted Screenplay for Inglourious Basterds. See also Esquire’s heartfelt profile on Ebert and Ebert’s “Nil By Mouth”.